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Nature morte aux poissons, vers 1639 1659 Pieter de Putter Zakopane she develops a pictorial language she develops a pictorial language based on sacred geometry and expressive color and sunny ochres — and the accuracy of contrasts that structure the composition la lumière fait ressortir les écailles légèrement en relief et l’aspect humide des poissons et le manche d’un crochet ou d’une épuisette visible à gauche complètent cette composition volontairement sobre
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